John Scott Whiteley traces the 19th-century German organ tradition in this programme featuring Liszt’s Fantasia and Fugue on Ad nos, ad salutarem undam and Reger’s Fantasia on the chorale Wie schön leucht’ uns der Morgenstern, as well as smaller-scale works by Mendelssohn and Brahms.

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Following on from Dusk Songs, The Ebor Singers continue to explore contemporary British sacred music. Kerry Andrew's York Mass and Philip Moore's Pilgrimage, were commissioned to celebrate the choir's 15th anniversary in 2008, and are recorded here for the first time.

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Based on The Ebor Singers’ popular candlelit concerts held in the Chapter House of York Minster, this collection draws on the rich tradition of Christmas words from the Middle Ages to the present day that has provided and continues to provide such a fertile source for composers of the twentieth century and modern day.

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Dusk Songs' title piece is the premiere recording of a commission from Kerry Andrew, a London-based musician who studied at York University and is now making a reputation as one of the most striking composers of her generation. It is performed by The Ebor Singers, one of York's leading chamber choirs.

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Widely acknowledged as Victoria’s masterpiece, the Reqiuem, was written in the last years of the composer’s life. Performed by the Ebor Singers and recorded in St Chad's Church, York.

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